It all begins beneath the surface Whenever I wander through the forest, especially the quiet bits, I’m reminded of the vast world beneath my feet. Hidden networks of fungi silently sustain entire ecosystems, and to me, they represent something profound: connection, regeneration, and the unspoken intelligence of nature. That’s where Bloodline began. I wanted to translate that beauty into physical form, sculptures that feel alive, evolving, and rich with story. A fungus with a story to tell It might sound strange, but one of my biggest inspirations was the bleeding tooth fungus. Its ghostly white body and ruby-red droplets completely mesmerized me. The tension between fragility and toughness spoke to me on a visceral level. Combined with my lifelong fascination for biophilic design, this interesting fungus sparked the birth of the Bloodline series. “There’s something magical about how fungi grow. Slow, deliberate, and beautifully chaotic. I wanted to recreate that energy in sculpture.”

Nature has always been the greatest architect. The curves of a leaf, the spiral of a shell, or the delicate geometry of coral. These forms don’t just exist; they communicate. For me nature’s architecture is more than just inspiration, it’s a blueprint for emotion, structure, and balance. My Habitat series translates the invisible harmony of ecosystems into highly detailed, abstract sculptures. Using thousands of lenses, I create organic shapes that feel alive through movement and light. The origins of Habitat Born with a natural curiosity for how things work, my early life was shaped by a deep love for biology, architecture, and design. I was particularly drawn to how nature builds, how trees grow towards light, how coral structures repeat fractal-like patterns. I see my art as living organisms, breathing and reacting to the space around them. This philosophy shaped the Habitat concept: a modular sculptural system reflecting growth, fluidity, and emotional states. Material use Every Ha